Unknown Aspects

Works

Text

Archive

Inkjet print, 33X40 cm
1 Unknown Aspect No 1
Inkjet print, 33X40 cm
1 Unknown Aspect No 1
Inkjet print, 33X40 cm
3 Unknown Aspect No 3
Inkjet print, 33X40 cm
4 Unknown Aspect No 4
Inkjet print, 33X40 cm
5 Unknown Aspect No 5
Inkjet print, 33X40 cm
6 Unknown Aspect No 6
Inkjet print, 33X40 cm
7 Unknown Aspect No 7
Inkjet print, 33X40 cm
8 Unknown Aspect No 8
Inkjet print, 33X40 cm
9 Unknown Aspect No 9
Inkjet print, 33X40 cm
10 Unknown Aspect No 10
Inkjet print, 33X40 cm
11 Unknown Aspect No 11
Inkjet print, 33X40 cm
12 Unknown Aspect No 12
Inkjet print, 33X40 cm
13 Unknown Aspect No 13
Inkjet print, 33X40 cm
14 Unknown Aspect No 14
Inkjet print, 33X40 cm
15 Unknown Aspect No 15
Inkjet print, 33X40 cm
16 Unknown Aspect No 16
Inkjet print, 33X40 cm
17 Unknown Aspect No 17
Inkjet print, 33X40 cm
18 Unknown Aspect No 18
Inkjet print, 33X40 cm
19 Unknown Aspect No 19
Inkjet print, 33X40 cm
20 Unknown Aspect No 20

Unknown Aspects proposes an inventory of the past in the form of twenty black and white photographs of scraps; remnants of objects and instruments isolated from their original function and presented as harbingers of memory. In this sequence of images, the depicted elements are assimilated into a new environment to preserve the history of the homes in which they were found and gathered, primarily homes destroyed and vacated due to hurricanes. Azoulay’s repositioning gaze encapsulates the paradox between the original context of the found objects and their ability to exist independently and become elevated to the level of representation. Employing aesthetic mechanisms that activate the inanimate, Azoulay’s miniature installations fluctuate between the foreign and the intimate, and between states of preservation and loss, and as such, shed light on the nature of recollection, revealing alternatives for its reassembly.
Unknown Aspects was conceived and completed in 2008, as part of Ilit Azoulay’s participation in the Art Farm residency program in Nebraska, USA.