No Single View

Works

Text

Archive

Inkjet Print, Metal- and MDF Frame, <br>108,96 x 65,85 cm — 1 *Report 004: I know where to stand if I don’t want to be seen right away.*

Inkjet Print, Metal- and MDF Frame, <br>168 ,29 x 226,28 cm — 2 *Report 006: It happened like that. And still, other angles remain.*

Inkjet Print, Metal- and MDF Frame, <br>213,32 x 143,74 cm — 3 *Report 007: This is where I began to notice.*

Inkjet Print, Metal- and MDF Frame, <br>230,71 x 125,05 cm — 4 *Report 008: I kept all the parts they edited out. What were you hoping to find?*

Inkjet Print, Metal- and MDF Frame, <br>193,55 x 177,57 cm — 5 *Report 009: Sometimes I think I’m the story, sometimes I think I’m just the footnote.*

Inkjet Print, MDF Frame, <br>52,2 x 46,3 cm — 6 *Record 001: Is this the version you know?*

Inkjet Print, MDF Frame, <br>41,5 x 30,9 cm — 7 *Record 002: Is that how it looked from where you stood?*

Inkjet Print, MDF Frame, <br>60,3 x 49,5 cm — 8 *Record 003: Is this the blue you remember?*

Inkjet Print, MDF Frame, <br>40,5 x 30,8 cm — 9 *Record 004: Is this how it looked from your side?*

Inkjet Print, MDF Frame, <br>41,5 x 39,8 cm — 10 *Record 005: Did you witness the whole thing?*

Inkjet Print, MDF Frame, <br>41,5 x 42,1 cm — 11 *Record 006: Did you look long enough?*

Inkjet Print, MDF Frame, <br>40,5 x 35,1 cm — 12 *Record 007: What did you notice exactly?*

Inkjet Print, MDF Frame, <br>49,8 x 37,8 cm — 13 *Record 008: Did you see the same thing?*

Inkjet Print, MDF Frame, <br>52,7 x 43,8 cm — 14 *Record 009: Which version reached you first?*

Inkjet Print, MDF Frame, <br>52,4 x 49,8 cm — 15 *Record 010: Did you see it before or after?*

Inkjet Print, MDF Frame, <br>51,2 x 38,7 cm — 16 *Record 011: What did your eye return to?*

Curated by Helena Pereña, the solo exhibition No Single View continues the collaboration between Ilit Azoulay and Museum VILLA STUCK. Developed in dialogue with Franz von Stuck’s historic villa during its renovation, the exhibition explores the layered histories, memories, and voices connected to the house and its inhabitants.

At its center is Azoulay’s three-channel film installation Mary, in which seventy-seven actresses embody Mary Stuck—the artist’s daughter and longtime resident of the villa—in a fictional interview unfolding through multiple perspectives. Alongside the film, new photo collages bring together places, times, and layers of meaning. Moving between fact and fiction, No Single View approaches memory as fragmentary, subjective, and continuously reconstructed.

No Single View
Villa Stuck, Munich, 2026

Photographer: Billie Clarken